It has been a hard autumn.
Alright, not really. But it /was/ made from scratch.

This ink was created over the course of six lunations in 2011 and contains ethically grown South American Croton Lechieri, Sri Lankan Daemonorops draco, apothecary grade Dracaena draco, and Gum Arabic blended with a base of plain ol’ red ink — because we’re hella practical at Twilight Alchemy Lab. Though we do strain the inks before packaging, there may be residual grains in the bottle.
Dragon’s Blood Ink is something of a default ink in spellwork. It can be utilized in almost every working and with almost every intention, as it adds strength, command, and focus.

Innovation bottles in progress. My experiment: creating witch-bottle-inspired fetishes that inspire creativity and innovation scientific research and invention.
Beneath the pressure of torments such as these, the feeble remnant of the good within me succumbed. Evil thoughts became my sole intimates – the darkest and most evil of thoughts. The moodiness of my usual temper increased to hatred of all things and of all mankind; while, from the sudden, frequent, and ungovernable outbursts of a fury to which I now blindly abandoned myself, my uncomplaining wife, alas! was the most usual and the most patient of sufferers.
One day she accompanied me, upon some household errand, into the cellar of the old building which our poverty compelled us to inhabit. The cat followed me down the steep stairs, and, nearly throwing me headlong, exasperated me to madness. Uplifting an axe, and forgetting, in my wrath, the childish dread which had hitherto stayed my hand, I aimed a blow at the animal which, of course, would have proved instantly fatal had it descended as I wished. But this blow was arrested by the hand of my wife. Goaded, by the interference, into a rage more than demoniacal, I withdrew my arm from her grasp and buried the axe in her brain. She fell dead upon the spot, without a groan.
This hideous murder accomplished, I set myself forthwith, and with entire deliberation, to the task of concealing the body. I knew that I could not remove it from the house, either by day or by night, without the risk of being observed by the neighbors. Many projects entered my mind. At one period I thought of cutting the corpse into minute fragments, and destroying them by fire. At another, I resolved to dig a grave for it in the floor of the cellar. Again, I deliberated about casting it in the well in the yard – about packing it in a box, as if merchandize, with the usual arrangements, and so getting a porter to take it from the house. Finally I hit upon what I considered a far better expedient than either of these. I determined to wall it up in the cellar – as the monks of the middle ages are recorded to have walled up their victims.
For a purpose such as this the cellar was well adapted. Its walls were loosely constructed, and had lately been plastered throughout with a rough plaster, which the dampness of the atmosphere had prevented from hardening. Moreover, in one of the walls was a projection, caused by a false chimney, or fireplace, that had been filled up, and made to resemble the red of the cellar. I made no doubt that I could readily displace the bricks at this point, insert the corpse, and wall the whole up as before, so that no eye could detect any thing suspicious. And in this calculation I was not deceived. By means of a crow-bar I easily dislodged the bricks, and, having carefully deposited the body against the inner wall, I propped it in that position, while, with little trouble, I re-laid the whole structure as it originally stood. Having procured mortar, sand, and hair, with every possible precaution, I prepared a plaster which could not be distinguished from the old, and with this I very carefully went over the new brickwork. When I had finished, I felt satisfied that all was right. The wall did not present the slightest appearance of having been disturbed. The rubbish on the floor was picked up with the minutest care. I looked around triumphantly, and said to myself – “Here at least, then, my labor has not been in vain.”

Psychography Ink: another one of my inventions. This image illustrates phase two of the creation process. Sort of… abscessy-lookin’, no? This ink is intented to be used during automatic writing. In short: it is an ink used as a conduit to the dead. Fun! Exciting! New!

I explained this oil to a friend in email a few weeks back, and well… I can’t really improve upon the description I wrote, so here it is:
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The Anointing Oil that I’m sending over is based on Exodus 30 23-29, ignoring the “Upon man’s flesh shall it not be poured, neither shall ye make any other like it, after the composition of it: it is holy, and it shall be holy unto you. Whosoever compoundeth any like it, or whosoever putteth any of it upon a stranger, shall even be cut off from his people” bit, cuz that’s how I roll:
~ Take thou also unto thee principal spices, of pure myrrh five hundred shekels, and of sweet cinnamon half so much, even two hundred and fifty shekels, and of sweet calamus two hundred and fifty shekels, And of cassia five hundred shekels, after the shekel of the sanctuary, and of oil olive an hin: And thou shalt make it an oil of holy ointment, an ointment compound after the art of the apothecary: it shall be an holy anointing oil. And thou shalt anoint the tabernacle of the congregation therewith, and the ark of the testimony, And the table and all his vessels, and the candlestick and his vessels, and the altar of incense, And the altar of burnt offering with all his vessels, and the laver and his foot. And thou shalt sanctify them, that they may be most holy: whatsoever toucheth them shall be holy. ~
I’m aware that Mathers probably substituted galangal for the calamus in order to circumvent the admonition, but whatevs. I’m not Mathers. The anointing oil contains steam-distilled Ethiopian myrrh, steam-distilled Ceylon cinnamon, calamus root essential oil, Chinese cassia essential oil extracted from leaves, twigs, and bark, and olive oil imported from the Convent of the Sisters of Bethlehem in Israel. I’m almost out of the olive oil, and they don’t seem to want to sell it to me anymore (lawl), so this batch might be the last of what I can make specific to this recipe.
Don’t let the anointing oil get on any sensitive areas, and don’t drink it. Not that I’m saying you would. Cassia burns like a motherfucker, and calamus is a liver toxin, is all.
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Our Anointing Oil is used to purify and sanctify ritual spaces and items prior to spiritual working.
Homeric Hymn to Demeter
Interlinear Translation
edited & adapted from the 1914 prose translation by Hugh G. Evelyn-White

This afternoon’s #BPAL #ows donation: $526.00 to the New York General Assembly to help supply the protesters with food, sleeping blankets, tarps, and other much-needed supplies.
Boost the signal if you can! Let’s keep these people warm and fed!
writing without smoking is harder than giving birth.







