“Wonder had gone away, and he had forgotten that life is only a set of pictures in the brain, among which there is no difference betwixt those born of real things and those born of inward dreamings, and no cause to value the one above the other.”

― H.P. Lovecraft, The Silver Key

#1: You admire a character for trying more than for their successes.

#2: You gotta keep in mind what’s interesting to you as an audience, not what’s fun to do as a writer. They can be v. different.

#3: Trying for theme is important, but you won’t see what the story is actually about til you’re at the end of it. Now rewrite.

#4: Once upon a time there was ___. Every day, ___. One day ___. Because of that, ___. Because of that, ___. Until finally ___.

#5: Simplify. Focus. Combine characters. Hop over detours. You’ll feel like you’re losing valuable stuff but it sets you free.

#6: What is your character good at, comfortable with? Throw the polar opposite at them. Challenge them. How do they deal?

#7: Come up with your ending before you figure out your middle. Seriously. Endings are hard, get yours working up front.

#8: Finish your story, let go even if it’s not perfect. In an ideal world you have both, but move on. Do better next time.

#9: When you’re stuck, make a list of what WOULDN’T happen next. Lots of times the material to get you unstuck will show up.

#10: Pull apart the stories you like. What you like in them is a part of you; you’ve got to recognize it before you can use it.

#11: Putting it on paper lets you start fixing it. If it stays in your head, a perfect idea, you’ll never share it with anyone.

#12: Discount the 1st thing that comes to mind. And the 2nd, 3rd, 4th, 5th – get the obvious out of the way. Surprise yourself.

#13: Give your characters opinions. Passive/malleable might seem likable to you as you write, but it’s poison to the audience.

#14: Why must you tell THIS story? What’s the belief burning within you that your story feeds off of? That’s the heart of it.

#15: If you were your character, in this situation, how would you feel? Honesty lends credibility to unbelievable situations.

#16: What are the stakes? Give us reason to root for the character. What happens if they don’t succeed? Stack the odds against.

#17: No work is ever wasted. If it’s not working, let go and move on – it’ll come back around to be useful later.

#18: You have to know yourself: the difference between doing your best & fussing. Story is testing, not refining.

#19: Coincidences to get characters into trouble are great; coincidences to get them out of it are cheating.

#20: Exercise: take the building blocks of a movie you dislike. How d’you rearrange them into what you DO like?

#21: You gotta identify with your situation/characters, can’t just write ‘cool’. What would make YOU act that way?

#22: What’s the essence of your story? Most economical telling of it? If you know that, you can build out from there.

[ verbatim source: the pixar touch ]

Beauty’s to the sex a treasure,
Still admir’d beyond all measure,
And never yet was any known,
By still admiring, weary grown.
But that rare quality call’d grace,
Exceeds, by far, a handsome face;
Its lasting charms surpass the other,
And this rich gift her kind godmother
Bestow’d on Cinderilla fair,
Whom she instructed with such care.
She gave to her such graceful mien,
That she, thereby, became a queen.
For thus (may ever truth prevail)
We draw our moral from this tale.
This quality, fair ladies, know
Prevails much more (you’ll find it so)
T’ingage and captivate a heart,
Than a fine head dress’d up with art.
The fairies’ gift of greatest worth
Is grace of bearing, not high birth;
Without this gift we’ll miss the prize;
Possession gives us wings to rise.

I have created a monument more lasting than bronze,
And higher than the royal site of the pyramids,
Which neither harsh rains nor the wild North wind
Can erode, nor the countless succession of years
And the flight of the seasons.
I will not entirely die! and a large part of me will avoid the grave.
Constantly renewed, I will grow in the eyes of posterity,
So long as the Pontifex and the solemn Vestal visit the Capitoline.
Where the river Aufidus roars, and where Daunus in the dry summers, ruled his rural folk,
I, risen to greatness from humble beginnings, will be renowned
As the first to adapt the Aoelian verses to Italian meters.
Take the well-deserved pride, Melpomene,
And freely grant me the wreath of Apollo for my crown.